Interpreting Zohran Mamdani's Style Statement: What His Suit Tells Us About Contemporary Masculinity and a Changing Culture.
Coming of age in London during the 2000s, I was always immersed in a world of suits. They adorned City financiers rushing through the financial district. You could spot them on fathers in the city's great park, kicking footballs in the evening light. Even school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of seriousness, signaling authority and performance—qualities I was expected to aspire to to become a "adult". Yet, before lately, my generation appeared to wear them less and less, and they had all but disappeared from my mind.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony dressed in a subdued black overcoat, crisp white shirt, and a notable silk tie. Riding high by an ingenious campaign, he captivated the world's imagination unlike any recent mayoral candidate. But whether he was cheering in a music venue or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Relaxed in fit, modern with soft shoulders, yet traditional, his is a typically professional millennial suit—well, as common as it can be for a cohort that seldom chooses to wear one.
"This garment is in this weird place," notes style commentator Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal settings: weddings, funerals, and sometimes, court appearances," Guy explains. "It is like the kimono in Japan," in that it "fundamentally represents a tradition that has long ceded from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has historically signaled this, today it enacts authority in the hope of winning public confidence. As Guy clarifies: "Because we are also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of drag, in that it enacts masculinity, authority and even proximity to power.
This analysis resonated deeply. On the rare occasions I need a suit—for a wedding or formal occasion—I dust off the one I bought from a Tokyo department store a few years ago. When I first selected it, it made me feel refined and high-end, but its tailored fit now feels outdated. I suspect this feeling will be only too recognizable for numerous people in the diaspora whose families originate in other places, especially developing countries.
Unsurprisingly, the working man's suit has lost fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a specific cut can therefore characterize an era—and feel quickly outdated. Take now: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something destined to be out of fashion within a few seasons. But the appeal, at least in certain circles, endures: recently, major retailers report suit sales rising more than 20% as customers "move away from the suit being everyday wear towards an appetite to invest in something exceptional."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "He is precisely a product of his background," says Guy. "A relatively young person, he's neither poor nor exceptionally wealthy." To that end, his moderately-priced suit will resonate with the group most likely to support him: people in their 30s and 40s, college graduates earning professional incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly don't contradict his proposed policies—such as a capping rents, constructing affordable homes, and free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and was raised in that New York real-estate world. A power suit fits naturally with that tycoon class, just as more accessible brands fit well with Mamdani's constituency."
The history of suits in politics is extensive and rich: from a well-known leader's "shocking" tan suit to other world leaders and their suspiciously impeccable, tailored appearance. As one British politician discovered, the suit doesn't just clothe the politician; it has the potential to characterize them.
Performance of Banality and A Shield
Perhaps the point is what one scholar refers to the "performance of ordinariness", summoning the suit's historical role as a standard attire of political power. Mamdani's particular choice taps into a studied understatement, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him appeal to as many voters as possible. But, some think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't neutral; scholars have long pointed out that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, particularly to those who might doubt it.
This kind of sartorial "code-switching" is not a recent phenomenon. Indeed historical leaders once wore three-piece suits during their early years. These days, certain world leaders have started swapping their typical military wear for a dark formal outfit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the struggle between belonging and otherness is visible."
The attire Mamdani chooses is highly significant. "As a Muslim child of immigrants of South Asian heritage and a democratic socialist, he is under pressure to conform to what many American voters look for as a marker of leadership," says one expert, while simultaneously needing to navigate carefully by "not looking like an establishment figure betraying his non-mainstream roots and values."
Yet there is an acute awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a millennial, skilled to adopt different personas to fit the occasion, but it may also be part of his multicultural background, where code-switching between cultures, customs and attire is common," it is said. "White males can remain unnoticed," but when others "attempt to gain the authority that suits represent," they must meticulously negotiate the expectations associated with them.
Throughout the presentation of Mamdani's official image, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the discomfort of trying to fit into something not designed with me in mind, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, appearance is never without meaning.